日本英文学会関東支部メールマガジン 臨時号 2024年5月2日
2024/05/11 (Sat) 08:45
日本英文学会関東支部メールマガジン
臨時号 2024年5月11日
梶原照子先生（明治大学）よりお知らせです。
______________________
カリン・ロフマン先生講演会 (Lecture by Karin Roffman, Ph. D.)
講師: Karin Roffman, Ph. D. (Senior Lecturer at Yale University)
講演主題：Time and Desire in Louise Gluck’s Pictures: “Too late, in other words”
日時：2024年5月21日(火) 13:30~15:10
場所：明治大学駿河台キャンパス リバティタワー12階1125教室
使用言語：英語（日本語の補足説明あり）
申し込み不要、入場無料
ポスターのご案内：
https://www.meiji.ac.jp/bungaku/info/2024/mkmht000001dawrf-att/KRlectureposter20240521.pdf
＊講師ご紹介：
Dr. Karin Roffman is currently senior lecturer in Humanities and English and the Associate Director of Public Humanities at Yale University. She most recently published the first biography of John Ashbery, The Songs We Know Best: John Ashbery’s Early Life (Farrar, Straus and Giroux, 2017), which was named one of the 100 notable books for 2017 by the New York Times. She recently received a National Endowment for the Humanities fellowship for 2024-25 to complete a full biography of John Ashbery to be published by Farrar, Straus and Giroux in 2026. Her first book, From the Modernist Annex: American Women Writers in Museums and Libraries (2010), on the poetry and prose of Edith Wharton, Marianne Moore, Nella Larsen and Ruth Benedict won the University of Alabama Press’s American Literature Elizabeth Agee Manuscript Prize and subsequent publication. She has also published articles on 20th and 21st century writers, painters and musicians in prestigious journals.
＊講演概要：
In this lecture, I’ll discuss an idea which recurs in Louise Gluck’s poems that the still image－the snapshot, the still life, the portrait－exists as a place where time feels suspended for a moment. These instances, partly because they are laden with the pressure of being already past, are full of feeling. The title of the lecture--“Too Late, in other words”--is a line from the end of “Dawn” (A Village Life, 2009) and describes a sudden but familiar experience of time and of life passing. Using examples from Louise Gluck’s archive at the Beinecke Library, including images from her early paintings and photographs, and from some unpublished portraits and drafts, I’ll demonstrate how poems (from early to late ones) build structurally around these stopped moments. I’ll also discuss how her poems and her papers probe the complicated desires that are part of first capturing and later reading a private image.
お問い合わせ先：梶原照子（明治大学）tkajiwar@meiji.ac.jp
臨時号 2024年5月11日
梶原照子先生（明治大学）よりお知らせです。
______________________
カリン・ロフマン先生講演会 (Lecture by Karin Roffman, Ph. D.)
講師: Karin Roffman, Ph. D. (Senior Lecturer at Yale University)
講演主題：Time and Desire in Louise Gluck’s Pictures: “Too late, in other words”
日時：2024年5月21日(火) 13:30~15:10
場所：明治大学駿河台キャンパス リバティタワー12階1125教室
使用言語：英語（日本語の補足説明あり）
申し込み不要、入場無料
ポスターのご案内：
https://www.meiji.ac.jp/bungaku/info/2024/mkmht000001dawrf-att/KRlectureposter20240521.pdf
＊講師ご紹介：
Dr. Karin Roffman is currently senior lecturer in Humanities and English and the Associate Director of Public Humanities at Yale University. She most recently published the first biography of John Ashbery, The Songs We Know Best: John Ashbery’s Early Life (Farrar, Straus and Giroux, 2017), which was named one of the 100 notable books for 2017 by the New York Times. She recently received a National Endowment for the Humanities fellowship for 2024-25 to complete a full biography of John Ashbery to be published by Farrar, Straus and Giroux in 2026. Her first book, From the Modernist Annex: American Women Writers in Museums and Libraries (2010), on the poetry and prose of Edith Wharton, Marianne Moore, Nella Larsen and Ruth Benedict won the University of Alabama Press’s American Literature Elizabeth Agee Manuscript Prize and subsequent publication. She has also published articles on 20th and 21st century writers, painters and musicians in prestigious journals.
＊講演概要：
In this lecture, I’ll discuss an idea which recurs in Louise Gluck’s poems that the still image－the snapshot, the still life, the portrait－exists as a place where time feels suspended for a moment. These instances, partly because they are laden with the pressure of being already past, are full of feeling. The title of the lecture--“Too Late, in other words”--is a line from the end of “Dawn” (A Village Life, 2009) and describes a sudden but familiar experience of time and of life passing. Using examples from Louise Gluck’s archive at the Beinecke Library, including images from her early paintings and photographs, and from some unpublished portraits and drafts, I’ll demonstrate how poems (from early to late ones) build structurally around these stopped moments. I’ll also discuss how her poems and her papers probe the complicated desires that are part of first capturing and later reading a private image.
お問い合わせ先：梶原照子（明治大学）tkajiwar@meiji.ac.jp